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Henry Moore - The Drawings: Works on Paper from the Henry Moore Family Collection

Museum of Art Museum of Art

Exhibition: Henry Moore - The Drawings: Works on Paper from the Henry Moore Family Collection

Dates:

Location:

Bernard and Barbro Osher Gallery, Halford Gallery
For British sculptor Henry Moore (1898-1986) drawing was both ancillary to his three-dimensional body of work and autonomous from it.  This significant exhibition, organized by Hauser & Wirth in collaboration with the Moore family, highlights Moore's prodigious talent as a draftsman, featuring work produced over six decades.

Selected Works

"Seated Woman", 1948 by Henry Moore, English, 1898-1986, pencil, wax crayon, ink and wash, Henry Moore Family Collection, © The Henry Moore Foundation. All Rights Reserved / Artists Rights Society (ARS), New York
"Reclining Figure", 1933 by Henry Moore, English, 1898-1986 , charcoal, chalk and ink wash, Henry Moore Family Collection, © The Henry Moore Foundation. All Rights Reserved / Artists Rights Society (ARS), New York
"Sculptural Objects", 1949 by Henry Moore, English, 1898-1986, chalk, watercolor and gouache, Henry Moore Family Collection, © The Henry Moore Foundation. All Rights Reserved / Artists Rights Society (ARS), New York
"Helmet Heads", 1950-1951 by Henry Moore, English, 1898-1986, pencil, chalk, charcoal, wax crayon, watercolor, ink and gouache, Henry Moore Family Collection and Hauser & Wirth, © The Henry Moore Foundation. All Rights Reserved / Artists Rights Society (ARS), New York

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For British sculptor Henry Moore (1898-1986) drawing was both ancillary to his three-dimensional body of work and autonomous from it. This significant exhibition, organized by Hauser & Wirth in collaboration with the Moore family, highlights Moore's prodigious talent as a draftsman, featuring work produced over six decades.  

Moore never abandoned the life-drawing practice he had initiated as a student in Paris in the 1920s. If Moore's sculptural subjects (his reclining figures, for example) furnished him with constraints in which to work, drawing offered him opportunities to refine his "ideas for sculpture" but, just as importantly, to digress from them. 

On paper, Moore worked in an exceptionally diverse variety of media ranging from chalk and crayon to pen and ink, often all in the same drawing; in every case he was as attuned to his materials as he was in his sculpture-indeed, the intense physicality of his drawings could be deemed sculptural.  

This exhibition, supported in part by Hauser & Wirth, presents spectacular selection of diverse works on paper by one of the twentieth century's most celebrated artists.