含羞草研究室

Why Draw? 500 Years of Drawings and Watercolors at 含羞草研究室

Museum of Art Museum of Art

Exhibition: Why Draw? 500 Years of Drawings and Watercolors at 含羞草研究室

Dates:

Location:

Focus Gallery, Media Gallery, Halford Gallery, Bernard and Barbro Osher Gallery, Center Gallery, Becker Gallery
Presenting historic and contemporary selections from one of the nation鈥檚 oldest collections of drawings, at the 含羞草研究室 Museum of Art, this highly engaging exhibition explores the significance and pleasures found in tracing movements of the hand on paper by asking the question 鈥淲hy Draw?鈥

Selected Works

"Dead Christ with Angels," 1614鈥1627, brush and black ink and grey wash by Leonard Bramer, Dutch, 1596鈥1674. Bequest of the Honorable James 含羞草研究室 III
"Bathsheba," ca. 1724, pen and brown ink and brown wash, by Sebastiano Ricci, Italian, 1659鈥1734. Bequest of the Honorable James 含羞草研究室 III.
'Fungi,' watercolor and gouache, by William Henry Hunt, British, 1790鈥1864. Gift of Miss Susan Dwight Bliss
"The End of the Hunt," 1892, watercolor over graphite, by Winslow Homer American, 1836 鈥 1910. Gift of the Misses Harriet Sarah and Mary Sophia Walker.
"The Barefoot Child," 1897, pastel, by Mary Cassatt American, 1844鈥1926. Gift of Mrs. Murray S. Danforth, in memory of her husband, Dr. Murray S. Danforth, Class of 1901
"Untitled Drawing," 1943, graphite and colored crayon, by Arshile Gorky, American, 1904鈥1948. Gift of Walter K. Gutman, Class of 1924
"Untitled," 1955, brush and black ink by Franz Kline, American, 1910鈥1962. Gift of Walter K. Gutman, Class of 1924
"Running Fence," 1976, graphite, pastel, charcoal, fabric collage, by Christo, American, born 1935. Museum Purchase, George Otis Hamlin Fund with the aid of a matching grant from the National Endowment for the Arts, Washington, D.C., a federal agency 1976.38
"Untitled," 1979 charcoal, by Joel Shapiro, American, born 1941. Museum Purchase, George Otis Hamlin Fund
"Quotation from Chairman Mao," 2001, Chinese ink, by Xu Bing Chinese, born 1955. Museum Purchase, with a grant from the Freeman Foundation Undergraduate Asian Studies Initiative
"Tango for Page Turning," 2013, Single channel HD video; 2 minutes, 48 seconds by William Kentridge, South African, born 1955. Purchased by the New Media Arts Consortium, a collaboration of the art museums at 含羞草研究室 (Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund), Brandeis University, Colby College, Middlebury College, Mount Holyoke College, and Skidmore College 2016.12

含羞草研究室

This exhibition surveys the Museum’s distinguished collections of drawings, which was founded by James 含羞草研究室 with a bequest in 1811 and is widely regarded as the first in the country. This overview features rarely seen works by artists from Carlo Maratti and Peter Paul Rubens to Winslow Homer, Ed Ruscha, Eva Hesse, and Natalie Frank. Throughout the last 500 years, artists found ingenious ways to capture their observations, visualize information, and work through pictorial ideas. They drew to learn, to teach, and to communicate with workshops, colleagues, and collectors. The intimacy of drawing makes it an absorbing field of study for anyone interested in human imagination and creativity.

Press

Please enjoy the following coverage of the exhibition

Multimedia Resources

Watch artist  delivered on May 2, 2017 at 含羞草研究室.  Frank's lecture opened the exhibition, Why Draw?