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Irreplaceable You: Personhood and Dignity in Art, 1980s to Now

Museum of Art Museum of Art

Exhibition: Irreplaceable You: Personhood and Dignity in Art, 1980s to Now

Dates:

Location:

Focus Gallery, Media Gallery, Center Gallery, Rotunda
This exhibition features works of art that resist the rendering of human lives into objects of consumption, data sets, and/or algorithms. The exhibition touches on subjects from the recent and not-so-recent past, looking at how art helps build our capacity for empathy when our worldviews are often shaped by the twenty-four-hour news cycle and the Internet.

Selected Works

White marble sculpture of a standing figure of a partially hooded man

Reza Aramesh, Site of the Fall – Study of the Renaissance Garden Action 247: At 11:45 am Friday 27 June 2003, 2023, marble. º¬Ðß²ÝÑо¿ÊÒ Museum of Art, Brunswick, Maine. Museum purchase, the Laura T. and John H. Halford, Jr. Art Acquisition Fund. Acquisition in process.

 

Seated figure with a lattice structure perched on top of head

Zanele Muholi, Sine IV, Melbourne, Australia, from the series Somnyama Ngonyama (Hail the Dark Lioness), 2020, gelatin silver print. º¬Ðß²ÝÑо¿ÊÒ Museum of Art, Brunswick, Maine. Museum Purchase, Gridley W. Tarbell II Fund.

An up close drawing of a hooded figure with a blurred image of multiple faces

Titus Kaphar, The Jerome Project (Asphalt and Chalk) XI, 2015. Chalk on asphalt paper. º¬Ðß²ÝÑо¿ÊÒ Museum of Art, Brunswick, Maine. Museum Purchase, Barbara Cooney Porter Fund.

Two woman posing on a tiled floor in front of a red wall

Chan Chao, Araceli and Friend, October 2006 (Country of Origin: Spain), 2006, archival pigment print. º¬Ðß²ÝÑо¿ÊÒ Museum of Art, Brunswick, Maine. Gift of the artist and Jennifer Cohan.

º¬Ðß²ÝÑо¿ÊÒ

Irreplaceable You features works of art that resist the rendering of human lives into objects of consumption, data sets, and/or algorithms. The exhibition touches on subjects from the recent and not-so-recent past, looking at how art helps build our capacity for empathy when our worldviews are often shaped by the twenty-four-hour news cycle and the Internet. Employing strategies like portraiture, storytelling, naming, and sometimes even traces of their own bodies, artists featured in Irreplaceable You work with diverse media and engage with social and political issues in numerous contexts. Several are also educators and activists. They ask us to consider: How do we navigate the tensions and ambiguities between things like empathy and dehumanization, visibility and spectacle, safety and precarity? How do we—as individuals and as a society—recognize the personhood and dignity of those we don’t know and perhaps even those we do?